Straight Talk About Movement in The Pelvis…

A brief description of how the pelvis moves:

Movement of the pelvis is derived from the complex potential of movement at the SI or sacroiliac joint and at the pubis. Because of the SI joints peanut-like shape it allows for a multitude of movements as the spine rotates and the legs move. Here are some of the basic movements:

nutationSacrum

Nutates – Anterior or forward rotation of the sacrum
Counter nutates – Posterior or backward rotation of the sacrum.

*When you flex the hip as in a plie the scrum nutes allowing for a gentle increase in the lumbar curve. When you extend the hips as in standing up from plie the sacrum counter-nutates allowing for a lengthening of the lumbar curve.*

Further resources on nutation/counter-nutation: http://www.physio-pedia.com/Sacroiliac_joint

Innominate Bones

The two halves of the pelvis can both rotate, slide up and down (lateral flexion), and forward and back (abduction/adduction) at the SI joint.

With the movement of the legs:

When the right leg is forward/loaded the right innominate rotates posteriorly and slides up on the right side (laterally flexes).
When the left leg is back/unloaded the left innominate rotates anteriorly and slides down on the left side.
And vise versa as in walking.

With the movement of the hip joint:

When the hips are flexing the superior aspects of the innominate bones (ASIS) narrow while the posterior aspects (ischial tuberosities) widen.
(This is happening in conjunction with the sacrum nutating as hips flex).

When the hips are extending the superior aspects of the innominate bones (ASIS) widen while the posterior aspects (ischial tuberosities) narrow.
(This is happening in conjunction with the sacrum counter-nutating as hips extend).

In addition:

When the hips are flexing the ASIS are also adduction slightly (narrowing anteriorly).
When the hips are flexing the ASIS are abduction slightly (narrowing posteriorly).

sacrum_pelvis

What the femurs do:

When the hips flex the femurs externally rotate.
When the hips extend the femurs internally rotate.

 

What the abdominals do:

When you flex the hips and the ASIS narrow (sitz bones widening – pelvic floor eccentrically contracting), the transversus abdominis concentrically contracts drawing the waist in and up (narrowing muscularly), and the external obliques concentrically contract.
When you extend the hips and the ASIS widen (sitz bones narrowing – pelvic floor concentrically contracting), the transversus abdominis eccentrically contracts drawing the waist back to it’s original shape (wider muscularly), and the internal obliques concentrically contract.

 

The conclusion:

When we flex and extend the hips as in walking the SI joint ends up “tumbling” (Reference: Eric Franklin) moving in a counter-rotating spiral like the infinity sign. This movement radiates up the spine creating additional counter-rotation between the upper and lower halves of the body.

Therefore even a “stable” pelvis, one that is well organized and can stay balanced under the spine on top of the femurs, should have movement and hence promote healthy rhythms of rotation throughout the body (including at the knee, ankle, foot, shoulder joint, head and neck).

“The slight but important rotating, sliding, gliding, and pivoting action of the sacroiliac facets serve as the singular link point where the axial skeleton is attached to the pelvis; thus the necessity of this joint being bilaterally strong and slightly mobile to adapt for biomechanical impairments deficiencies above and and below.” — Chapter 6 from R. C. Schafer, DC, PhD, FICC’s best-selling book: “Motion Palpation”

 

For further study of the sacroiliac joint and the movement of the innominate bones of the pelvis check out this AMAZING resource:
The Low Back Site: The Sacroiliac Joint – Richard DonTigny, PT

Stability – When is it too much?

Okay, so here”s the deal…This past weekend I had an AMAZING group of teachers at my studio for our Reformer 1 training. Eleven of them eager to learn, practice and explore. These weekends are always such a wonderful experience for me because I learn so much. I learn from watching the students move, hearing their questions and concerns, watching them teach, and just being in the space with them as their path to becoming GREAT teachers unfolds.

Not unlike many of these past weekends I had a total moment of clarity about something. This time it was “stability.”

core stability

 

Here”s what happened: We start each day with a mat class. Saturday morning we were midway through doing an advanced version of the side-lying leg series. This is not an easy exercise to execute due to the fact that you are propped up on one elbow with the other arm in the same position pointing toward the ceiling. We were definitely focusing on upper body stability, as this is — in my mind — the most challenging aspect of the exercise. However, something was amiss.

“Alright, let”s stop,” I said (with love in my voice :). “What”s going on in your legs here? No one is moving. You are all working to keep the pelvis and torso so still your legs aren”t moving and you”re looking like if you were walking you”d be in pain! (insert giggles here). See if you can let the leg swing a bit more, stretch the hamstring as the leg comes forward, stretch the hip as the leg moves back. Feel that even though the pelvis can be stable the legs are free to move and the whole upper body can also ebb and flow enough to create a gentle counter balance. Let your body move for heaven”s sake!”

WHAT? Let the torso move back and forth?!#$&! I”ll tell you that some of the students looked at me as if I were speaking an entirely different language.

And here in lies the seed for concern.

Yes, it”s true that as movement teachers we are often concerned with establishing a level of stability in the body that enables our students a sense of center, groundedness, and balance.

Yes, it”s true that for a large portion of the population a lack of the connection between legs and pelvis, arms and upper back or shoulder girdle creates a tremendous amount of disassociation and even pain in the body.

But it is not true that stability is the key, and always the key, to these challenges or disconnections.

There is a truth in the body that goes like this: In order to have stability we must have mobility. The body is never static. It is always moving, adjusting, correcting, contracting and expanding. At least a well Som i et traditionelt kasino byder TivoliCasino deres brugere velkomne til at prove lykken pa alt fra spilleautomater til roulette, BlackJack , poker og meget andet. functioning body is. If we train a body to be “stable” in places where there is not first “mobility” or healthy movement we enter into a battle of effort against effort — essentially training stability or strength on top of tension. Effort plus effort does not equal ease. And isn”t that our goal, a balance between ease and effort producing efficiency, balance, and control?

In order to restore balance and stability in the body we should seek out, in each individual student — as every case is different — where the body needs mobility and where it then needs stability.

As Pilates teachers in particular I believe, and have witnessed and been victim to, the thought that stability is always the answer. In the first half of my Pilates training as a student I was taught to always draw my scapula down, to “anchor” them into my back, so much so that for quite some time my serratus and lower traps became so tight that I was in chronic pain around my shoulder blades, my collar bones began to slope down, and my middle back became excruciatingly tight.

I have also seen the low back and pelvis become so rigid in students from constantly keeping it still that the low back lost it”s ability to be malleable and participate in side bending and rotation effectively, therefore limiting movements in the hips and legs not to mention articulation through flexion and extension.

Unfortunately, I think that as teachers we take concepts that are appropriate for some bodies or essential for new students and never evolve beyond those principles to explore what”s next, to reach out and discover beyond neutral spine and stable scapula what the body”s potential for movement is!!

We get fixated and stuck teaching “core stability” using terms like anchor, root, hold, pin together, knit together etc. even when stability has been established and we should instead be looking at the truth of the body and how to integrate it”s new connection to core to find freedom in our movement.

With the example of the teachers in training this week and the advanced side-lying leg series, it seemed to me that they were primarily working under the assumption that stability and not freedom of movement was their key objective.

What I would say is that at this point most of them had established a substantial core connection and could maintain stability in the pelvis enough to feel the differentiation between hip and leg (attuning to femur glide with ease), and therefore could have been exploring the the potential for an integrated body/whole body movement.

In this particular example what we miss out on is an opportunity to practice and hence promote the body”s natural counter-rotational action through the spine — the interplay between the upper body subtly rotating one direction while the lower body rotates the other direction. THIS IS WHAT HAPPENS IN WALKING!!!!

When we walk the right leg goes forward, the right side of the pelvis rotates back, left ribs rotate forward with the left arm swinging forward, left leg is back, left side of the pelvis rotates forward slightly, and the right ribs rotate back with the right arm swinging back. Counter-rotation, opposite and balancing spirals. This is the true rhythm of the body.

There is, of course, a very appropriate and necessary time and place for stability, but I would encourage you not to lose yourself in it being the primary goal ALWAYS.

I would also encourage you to open yourself up to looking at how you teach stability:

  • Do you teach stability with mobility?
  • Do you teach mobility, release, opening, access as a precursor to stability?
  • Do you teach stability as always the goal?
  • Do you balance stability and mobility?
  • Do you give your students an opportunity to explore their body”s potential, to increase range and allow for movement in the pelvis, spine etc.?

Here”s another truth: The spine is meant to move (Amy Taylor Alpers helped me understand that one!). The pelvis is meant to move – it moves in rhythm with the legs, the low back and within itself (for more information on this click here). The scapula are meant to move — healthy elevation and depression, adduction (retraction), and abduction (proctraction).  The ribs are meant to move — expanding and contracting, rising and falling.

THE BODY IS MEANT TO MOVE! See how you can promote healthy movement in any given body, on any given day, under any given circumstance and see how it feels. Throw stability to the wayside (if it is not harmful to do so — and sometimes it is) and see what the body does when it is required to find it”s potential. I think you will find it is liberating and in no way means that you must forsake establishing stability or core strength or stop teaching “stable pelvis” in the side lying leg series 🙂 It simply means that you have opened your eyes to more than fixing the body in a position, but that you have given yourself a chance to see when stability is key and when it is not.

Enjoy your explorations and PLEASE feel free to ask me questions, offer your comments and explore this topic further with me. I LOVE  talking about it and clearly have a very strong opinion 😉

Be well,
Chantill

P.S. If you want to learn more about the dynamics of the pelvis during movement CLICK HERE.

Fearlessness in the Pilates Studio

fearless girlWhat does it mean to be fearless? To have no fear? To not be afraid of anything? Hardly. One of my favorite authors and teachers talks about fearlessness as an openness or willingness to see the thing that is creating the fear and move toward it. I know, it”s counter intuitive, but if you can think about moments when you reacted out of fear instead of stepping into the fear and seeing it more clearly or from a wiser perspective, I think you”ll likely find that the outcome was less than desirable.

 

I certainly know that has been true for me. In the process of leaving my studio as an owner, I’ve come up against countless moments of terrifying fear: fear of loosing my identity as “owner”; fear of who I would be without that identity; fear of succeeding; fear of failing; fear of the end and fear of a new beginning. There have been times in the past six months when I have deeply regretted my actions made out of fear. I found that in those moments, in order to truly be the person I wanted to be: kind, honest, generous, and open, I had to back track and change course; not weave around fear but walk into it.

 

I wonder how many times in our interactions with our students we respond from a place of fear? When we are asking for their patronage? When we are deciding what to charge, how to market, or who to hire? How does fear affect our ability to run our businesses according to our values and vision?

 

As a teacher and entrepreneur I am continuously aware of my fear and how, if I let it, it would lead me down a path I was not proud of. Learning how to be fearless in our work is likely one of the most important skills we can develop to support our authenticity, the longevity and creativity of our work.

 

In honor of this idea, I”d like to offer a couple of relevant resources. Author Michael Carroll recently released a new book called “Fearless at Work.” His other books “The Mindful Leader” and “Awake at Work” have been tools by which I have run my studio and my business and make up much of the foundation of Skillful Teaching.
I hope you take a peek at these tidbits:

 

 

 

 

The Missing Mitten and The Gift of This Present Moment

All weekend I”ve been thinking about something that happened on Saturday just outside my studio. It”s really not any big deal, and I ma

y have just let it slide away barely noticed had it not been for the deep and palpable sense of satisfaction and gratitude it gave me.

24 hours earlier…

Fridays are a big teaching day for me, one of the only days I teach during the week, so I see a lot of students. At this point in my teaching my students consist primarily of those who have been with me for many, many years or who I”ve created significant bonds with. Needless to say, it”s a wonderfully rich, if not intense, day.

Some of these students I know their personal stories, I”ve worked with them outside of the studio or in different capacities. Some of them

I”ve seen through injuries, the loss of a parents (or parents), the loss of a job or relationship, pain, illness, and all the good stuff too like getting out of pain, running marathons, changing their diet, quiting smoking, becoming grandparents, and through pregnancies (multiple). The are dear to me.

My students came and went as usual that day and teaching felt good. My students left feeling better than when they walked in and I left feeling lit up by that sense of aliveness that comes from what teaching demands: moment-to-moment attention.

I go back to the studio on Saturday to teach for three hours and this past Saturday I did just that. I left around 12:45 to go distribute some fliers for a new (awesome) student-teacher run program we have starting this coming week. As I was crossing the street, almost to the other side, I saw one of my Friday regulars. “Hello, Patty! What are you up to?” (I love this gal and I always love seeing my students out and about.)

“Oh, I lost my mitten,” she says looking longingly at her one mitten. It”s cold, so mitten management is crucial. She describes how she thinks she dropped it when she was downtown just a bit earlier. Where were you, I ask. Can I help you look?

“No, I”ve already retraced my steps and am on my way home.” Sad face with a smile. Okay, well, I”m sorry about your mitten. Have a nice rest of your day.

We walk on. I really do love seeing my students around town. It always puts a little spring in my step. It”s kind of like seeing something you helped to create and feel proud of walking around on two feet – like walking proof that you do something good in the world.

Anyway… I walked across the parking lot to the market and stopped dead when I saw a single mitten sticking up from the corner of a sign just outside the market doors. The MITTEN!

I grabbed it, turned and ran. Patty? Patty? Where”d she go?

“PATTY!” I shouted across the street into the plaza where she was making her way toward home. “PATTY!”

And then I start waving the mitten like a lunatic. “You”re mitten!” I shout.

Now here is the real treat: the look on her face!!! It was like I had just presented a 5-year-old with a brand new puppy. I don”t know when I”ve seen so much totally pleasure on someone”s face and that it was all about a little lost mitten just made me giddy!

(In this moment we walked toward each other, her beaming, me waving the mitten ridiculously, like that scene in “You”ve Got Mail” at the end where Tom Hanks and Meg Ryan see each other in the park for the first time… Oh, geeze, it was so, so wonderfully cheezy !)

So, she gets to the other side of the cross walk and is just grinning ear to ear, laughing, giggling and kind of shaking her head. “Wher

e did you find it?” I tell her and add that it”s kind of funny because if I hand”t seen her only a minute before I”d probably just ignored the mitten and thought it was a bummer that someone lost their glove. But…I didn”t ignore it and I did know who it belonged to!

She continued to laugh and shake her head and said “This restores my hope in the world! This makes me feel like there”s still some good and hope in this

world! Just when you”ve lost your mitten, your angel comes along and gives it back to you!”

We laughed, and laughed, and exchanged a hug, and giggled a little more and turned back to our own paths again still smiling and chuckling to ourselves.

What a moment. What an absolutely blissful moment of total gratitude and now-ness. I love Patty. I love that I know her, help her feel better in her body even when she”s worn out from work. I love that I knew she”d lost her mitten and that I had the sweet, sweet fortune of returning it to her.

But most of all I love what she said, how incongruous yet totally relevant it seems that the return of a brown speckled mitten coul

d make her proclaim This makes me feel like there”s still some good and hope in this world! “Just when you”ve lost your mitten, your angel comes along and gives it back to you!”

Thank you, Patty for the opportunity to know you and to teach you. May we all be of service and may we be so honored to have our relationships and work make a difference whether we are finding lost mittens or changing people”s bodies or just offering a kindness when it”s needed.

May you all enjoy the moment-to-moment presence of your teaching now and always.

-c

2012 Year End Retrospective

A Teacher's Retrospective

*I thank all of you for taking the time to be witness to this missive. It is always a gift to be seen and to be a part of something bigger. I am blessed to be a part of it with you and honor you for your presence here. May the year bring you joy, laughter, lightness, and a deep prosperity.* — Chantill

The first word that comes to mind when I think about 2012 is BIG. It was a big year. It was a liminal year as my mentor Carol Appel says.

Not too long ago she and I were having dinner and enjoying a chance to catch up, talk shop and…I'll be honest, I needed her advice and support. I needed someone to talk to.

We were in a little Italian place, the Giants game in the background (lots of shouting fans) and as we sat across from one another I was filled with a sense of gratitude and a bit of astonishment. Here I was getting ready to pour my heart out to an extremely accomplished woman whom, for many years, I set apart from myself as a kind of idol or hero too far ahead of me to be like me. But it just wasn't so. In that moment I realized it had become something more…

What a wonderful gift it is to say that our relationship has turned into a friendship, a collaboration, a mutual trust.

This year I decided I was ready to dedicate all of my time and effort to Skillful Teaching. That was — and continues to be —  the very, very exciting part. The hard part was that it meant doing something I had been trying to figure out how to do for a while — leave my role as a studio owner, leave me business.

I've owned my own studio for just about 10 years in two different incarnations and it's been amazing: An amazing gift, challenge, burden, creative explosion, intense learning process, a catalyst for immense growth and so much more. It's been like a second child and my business partnership like a second marriage — both complex and ultimately BIG teachers!

That is what I sat down to talk to Carol about…not for the first time.

I vented, was angry, worked up, verklempt. She listened kindly. She helped me laugh, and helped me find perspective. She shared her experiences and shed some light on what felt like a very dark shadow. She told me about liminality — those times or periods in life when transition is the hardest; the door you are passing out of isn't quite closed nor is the new door open enough for you to crawl through. It's a kind of hopeful, exciting and painful limbo.

When my tears began to emerge it was a relief, a release filled more with a sense of letting go and trust than fear. And yet I know liminality to be an intense thing.

Many of my closest confidants (and more recently even my business partner's husband) have equated our transition to a divorce. And, although I am thankful to not know from my own first-hand experience if that's totally accurate, I can tell you as a child of divorce and from watching the painful and liberating process so many of my peers have gone through, I think they must be right.

You see, I am the one leaving. It's my choice to move on from what has been “ours” for seven years. But let there be no mistake, there are implications on both sides. The questions I had to ask myself were these:

Am I truly happy? Am I contributing to the positive growth of my business? Is my vision in alignment with my partner's and the overall direction of our studio? Am I able to stay present in my role as an owner and leader in the business? Can I foresee myself in this role in the next 12 months, 1 year, 5 years? Do I trust myself? Do I know myself well enough to do what's necessary to grow and be happy?

All valid and tremendous questions. And ultimately I'd have to say that my answer was “no” to the first five and “yes” to the last two. That's how I knew that no matter how awful it felt, or how difficult it might be I had to move on. In truth, it's been a long time coming.

I adore my studio and my business partner. I am extremely proud of all that we created together. But the truth is that at some point we stopped being good business partners and our friendship suffered. The heart of our studio began to ache a little and the teachers were affected. Our visions had become divergent, each of us dedicated to something different. Our conversations became strained and our effectiveness dimensioned.

These kinds of shifts are not easy to recognize or admit to. No one wants to believe that something that was once a diamond in the rough could become similarly tarnished as any other piece of coal in the pile. For some of us it feels like failure or defeat or even like we are slipping from the pedestal we've been so accustomed to sitting on.

There is a lot of ego involved as well as a significant amount of fear around letting go. How do you relinquish the biggest thing you've ever created, your greatest contribution to your community? Those are the kinds of questions that make it hard to believe it's possible.

My truth was that it was time to close this particular chapter of my work and move into a new incarnation, to take all that I had learned and weave it into a new cloth. It had become increasingly obvious that I couldn't   stay put and move forward at the same time. Believe me I had tried…for too long I tried.

In the end not only did I suffer, so did my family, the teachers I promised to guide and my business partner, my friend. Ambiguity is a double edged sword. The longer we are undecided the longer we hold ourselves and all those involved in limbo. This is a painful place for everyone. Doctor Seuss called it “the waiting place.” As you probably know, it sucks!

So, this is my pivotal moment. I say “is” on purpose because it is far from over. It continues to pulse with life, full of insight, courage, sadness, and a sense of weightlessness as time moves us on.

In other spheres and orbits it was a bang up year as well. My family and I traveled so much this year that it rekindled my spark for “adventure” and “travel” and put them back at my center.

Between a wonderfully focused and solitary (well almost — my dear friend was also with me) week on the Big Island to work on my second Skillful Teaching book and the Teacher's Retreat in November I realized that  being in the world is where I am meant to be. Hence the 2013 Retreat schedule! Mexico, Bali/Australia, and then back to Sonoma County. 

And I shall not forget the process of writing, editing and publishing “Moving Beyond Technique”. Holy smokes what a process! But I did it.

Not many of you know but I was a journalist in a former life…a brutal profession in its own right. When I left journalism I truly believed I'd never write again. All of my desire for it had been systemically squelched. And yet, I also knew that I didn't want to get to the end of my life without writing a book. Granted this is not the kind of book I thought I'd be writing. Short stories were my thing back in the day…

But it makes total sense! “Moving Beyond Technique” is the absolute convergence of two of my deepest loves: teaching and writing.

What a marvelous thing it's been to do it. The toil and attention, the cooperation and effort expended by several people to make the book as good as it could be was astounding. I will never forget the 100 plus hours of editing and re-writing. Never!

AND as of today I have about 185 pages written in what I suspect will be a book approximately 225 pages long — the second Skillful Teaching book! This is one of the most exciting prospects of the new year for me.

This past year has also been filled with a great deal of collaboration. I am honored to have worked with Anne Bishop, founder of Body Brain Connect, extensively and to have spoken to and exchanged ideas with so many teachers, studio owners, visionaries, and professionals outside the field of movement. I've been able to watch, study, learn, experiment and foul up quite a bit in the name of progress and in the hopes of Skillful Teaching taking flight.

The programs that I created this year were numerous and varied and are now sitting in a big digital pile awaiting you (and me…as they are going to need some tender loving care!)

Right now I am perched at my favorite writing spot, my couch, overlooking a beautifully wintery landscape (as wintry as Northern California gets)  and so many images and feelings are tumbling through me.

I am grateful for the opportunity to build and be a part of a community. I am ready to unfold my wings and alite into new territory. I am ready to return to my intuition and create more possibilities for you and for me in our teaching, in our life's work, and in our lives.

In gratitude

This year has been one of lessons landing and dreams lifting off. It's been full of sorrowful endings and giddy beginnings. It's December 27th, 2012 and I am grateful to have seen my studio through another year and now into a new phase, a new evolution and leadership. I am grateful to continue as the Director of Education and the creator of a wonderful and growing mentoring program there.

I am grateful for seeing a dear friend through a continuously life-threatening illness; for watching my son blossom into a beautiful spirit, smart and funny; to watch my husband's business grow and him grow with it; to watch my niece and nephews grow and change; to see the sun rise and fall over so many spectacular and perfectly ordinary landscapes; to be brutally challenged by hardship and carved out by both the dark and light sides of myself and this life.

I am grateful to bear witness to the atrocities of the world so that they may remind me to be kind, loving, generous and of service in everything I do. I am wondrously grateful to all of those people who trust themselves and listen deeply. I am grateful for this breath. And this one. And this one. And this one.
buy a research paper online
I am grateful for you.

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Core Commitments – A Personal Inquiry In To Teaching

You made it!

Thanks for joining this discussion on Core Commitments. I am anxious to hear your thoughts around the process of identifying your CC’s and how you’ve been able to intertwine them in your teaching vision and how you either run your studio or manage yourself as a teacher.

 

I look forward to your comments.

 

For Your Convenience:

 

Here’s a link to the clip on Core Commitments from our most recent Teacher’s Retreat:

WATCH THE VIDEO NOW 

 

If you’d like to explore Core Commitments and creating a vision for your teaching I encourage you to check out the “Moving Beyond Technique” book on amazon. There’s an entire chapter in exploring this concept. 🙂

 

Confidence For Pilates Teachers: Creating It And Keeping It

How do we Pilates teachers create, build, or find our confidence and then keep it?

adobe creative suite student

Just a few hours ago I heard one of my teachers say “I’m still building my confidence.” And it made me realize that we are all truly building our confidence all the time.

In this week’s Weekly Dose, I mentioned that one of the top reported challenges for teachers is confidence. This seems to be what we are working on no matter how long we’ve been teaching, it simply changes as we teach.

So I begin to ask myself can we create or build or find confidence and keep it? Is it possible?

Well, no, honestly it’s not, not entirely at least. Confidence, like all other emotional states is not fixed. It is malleable, it ebbs and flows, sometimes moment to moment, and certainly from situation to situation. But I believe what we can keep is our ability to come back to a confident place by cultivating a strong sense of where and what that space is for ourselves. This way, even when we feel less confident we are not flooded with self-doubt or self-deprecation.

But wait, you might be saying, wait just a minute! I know plenty of people who are super confident all the time. It shows in their every action and interaction. They take the bull by the horns, they take risks, they seem to never be afraid. We all know people like that and want to be them (at least that’s my fantasy!) Do you think, however, that they are truly ALWAYS feeling confident? From my experience talking to, teaching, and interviewing folks like this it’s just not true. Their confidence waxes and wanes just like the rest of us, but there is something else: we don’t see it. And we don’t see it because they are comfortable with either condition.

People who we perceive as being uber confident or always confident have simply found a way of connecting to what they are confident in all the time despite the external environment of situation.

Want to know what it is…

… themselves.

Yes, it’s that simple. Our confidence as Pilate teachers, and as just plain people, is more often than not tied unfailingly to conditions, to context, and to subject matter so every time we find ourselves learning something new or faced with a new challenge our confidence wanes because we are focused primarily on the outward negotiation of the condition, context, or subject. However, that is not where true and sustainable confidence come in. The latter kind of confidence comes in when no matter what the situation we are confident in ourselves.

One of my favorite teachers, Susan Piver, shares this about teaching meditation in her book “How Not To Be Afraid of Your Own Life”:

‘The first thing you need to do… is to create confidence in the mind of the person studying it.’  Of course, I thought. People have to know that this is great so they can relax and trust it. My mind immediately flashed to all the ways I could convey this: bold stickers on the cover with powerful quotes from well-known people, detailed histories of the practices contained, pictures of the teachers in large shrine rooms teaching many people. Then he said, ‘The way you create confidence is to offer something real.‘ Something real is what you yourself know to be true.
You gain confidence, then, from your own authenticity: Your real feelings, thoughts, and ideas; the things you’ve seen with your own eyes, tested out, and learned from experience. Trusting your own experience is the source of unshakable confidence.

Building confidence for Pilates teachers means what it means for everyone else: that no matter what we are faced with our true bearings come from deeply connecting to the truth of who we are and our own experience.

No matter what you’re working on now in your teaching, whether you’ve been teaching for 10 years or 10 seconds the challenges to gain or maintain confidence are the same. At the heart of any experience we can ground ourselves in knowing what we know and letting that be the foundation for all other new and unexplored techniques, approaches, situations and interactions.

Self Inquiry:

Ask yourself a few simple questions to explore what you might better connect to in order to sustain your confidence.

1. What do I already know that I bring to the table in every situation?
2. How can I tap into my existing knowledge-base even when in unfamiliar territory?
3. What are my natural talents — those characteristics (not necessarily skills) that flow from me innately — and strengths that I can teach from no matter what material I am teaching or what circumstances I find myself in?
4. What word, phrase or reminder might I say to myself to stay connected to this confident place?
5. How am I my most authentic self and how can I always teach from the truth of my own experience?

What To Do:

Next time you find yourself in a situation where you feel your confidence ebbing bring yourself back to this place of deep, authentic confidence. This is not easy to do, but the more you practice the easier it gets. Bit by bit we begin to train ourselves to stay with the confidence even when shaken, even when questioned, even when the demand on us is greater than our capacity. The walls might crumble, but our foundation doesn’t have to.

Your Mission:

Pick a major moment of joy or accomplishment and relive it over and over again. This is going to be your  mental, emotional and physiological set point moving forward. It should be one that makes you feel powerful, competent, confident, happy, free, in the flow, accepted and fully expressed. It should be a place that you can reside in even when external factors seem unsettled.

What steady Confidence offers us:

1. Courage (to be honest and take risks)
2. Clarity (to know our own mind and heart without doubt)
3. Kindness (to honor who we are and what we are at any given moment despite external situations)
4. Compassion (for ourselves and others)
5. Daring (to go to the unknown places)
6. Self-reliance (the ability to trust ourselves in any situation enter)
7. Aplomb (candor, right speech, dignity and diplomacy through right speech and right action)
8. Resolution (firm resolve when making decisions)
9. Tenacity (the ability to sustain energy toward any given goal)
10. Spirit (the full expression of our creative selves, our hearts, and our innate intelligence)

And as always, dear ones, I look forward to having you share your thoughts, questions, insights or challenges below.

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Where has your spirit gone?

“Not I, but the wind that blows through me.”

D.H. Lawrence

Where does spirit fit in?

I remember one of the first conversations I had with my mentor. It was over the phone. We had never met in person. We had been talking for a long time about my background, my desire to teach, my love of movement, what inspired me to teach. We discussed the importance of strength, healing, exercise, learning how to move with ease and much more. We had covered the gamut.

Each moment that passed I felt more compelled to jump in, to put my trust in her. But we had not talked about everything. Toward the end of the conversation I said “To me moving is a way of touching my spirit, it’s the way I find and express the deepest parts of who I am. I want to give that opportunity to others. I want to give others a chance to make that connection. To see how beautiful it can be to truly feel their spirit through the body.”

This was not the typical thing I would say to someone I didn’t know, not something I felt comfortable sharing in general and yet it couldn’t have been more true. For me it was and is the motivation for teaching. If I was going to commit myself to this path with this person as my guide I had to be honest and lay it all on the table.

When I finished there was a slight pause on the other end. “Yes, well, I see what you are saying, but we work within the scope of our practice which is the body. Although we might experience this part it’s not what we teach directly and it’s not what people come to us for. They come to us for exercise, for fitness.”

This was nearly 13 years ago. I am sure we said more, but time has faded my memory of it. Yet I’ll never forget the impression it left.

Two things at once:

One, that this was something I would have to keep to myself and attend to in my own way. That it would be a part of the teacher I became but not cultivated with guidance. That if this was to be my choice our focus would be the body as the primary tool. Two, that we did not see eye to eye on this matter. I would have to carve out my own teaching path, one that strongly reflected what moving meant to me.

I would learn from the very best and become something entirely different from her Romana roots. I had a tremendous amount of faith in her regardless and have never regretted my decision. We were taught the philosophy behind the method, read “Return To Life” and “Your Health,” studied Joe’s words and discussed his vision. In theory I was well versed, but in practice spirit took a lonely back seat.

From my current vantage point I wonder how can we reconcile what we read and are told (this is a body, mind, spirit method) and what we are encouraged to say, do and teach?

The question I ask myself and encourage you to ask is: Where does spirit fit in and how do I express it in a way that feels right for me?

What do we even mean when we say spirit? If it means something to us personally do we share it on purpose, actively, or keep it hidden, afraid of over-stepping professional boundaries? Do we encourage it and let it unfold? Does it have any meaning to us at all?

Well, I had the answer to these questions directly from the horses mouth last November. It was my absolute (and slightly surprising) pleasure to sit in on a workshop with Power Pilates co-founder Bob Liekens. He was speaking on the subject of the history of Pilates or something equivalently relevant. Now, if you recall my earlier statement of becoming something entirely different from that which I was taught then this will not be a surprise, but I had moved a fair distance away from my classical roots. In fact, I am a self-professed “contemporary” Pilates teacher who, over the years, has had different levels of disdain for the classic-only style of teaching. And so, here you get to

witness one of those moments when I humbly lay down my judgement and say that I was proven wrong. I have a tremendous, renewed, and growing respect for the classic approach and I owe a debt of gratitude to Bob Liekens for that!

Not only was I engaged by his memories and impressions of Romana Kryzanowska, who was also my mentor’s teacher, and Pilates early on in New York I was deeply stirred to hear him talk about the true value and meaning of melding body, mind and spirit as it was practiced in the original Pilates studio.

What stuck with me most is Liekens saying how we’ve simply taken the spirit out of our teaching. We don’t want to talk about it, not sure how it fits, and certainly don’t teach it outrightly even though it is a crucial part of what makes the Pilates method unique and potent! He asked us how can we teach the body, affect the mind and not touch the spirit of a person? It’s crazy and impossible, of course. (I am paraphrasing both from what I recall and my impressions so I hope I do Liekens’ sentiment justice.)

As I sat and listened I experienced a sense of subtle yet deep relief, joy in hearing him talk about spirit. Even more than that was his obvious belief in it. You could see he truly felt it, he projected it, embodied it. He was it. As he spoke of his subject he was the example of spirit in action. It was quite a way to spend an hour and a half. Perhaps the best 90 minutes I spent at the entire conference. Thank you Mr. Liekens!

***

So, where does that leave us? I often get asked about this component from my student teachers: how do you incorporate spirit or mind actively into your teaching. I think it’s because I actively teach from this place. With all the things that have changed about my teaching over the years, all the ebbs and flows of inspiration, it is the one thing I have not lost and I am grateful.

Here are some of the teachers’ questions and my responses:

Q: Do you talk about spirit with your students?

A: I try to be an example of it first and foremost, using my own experiences and impressions as teaching tools so students see through the lens of spirit, how movement can or will bring joy and vitality to all parts of their lives.

I draw parallels between successes, beliefs, and struggles with movement to the successes, beliefs and struggles in life, one as a reflection of the other.

I use language that reflects my feelings about our ability to express freedom, ease and joy in the body. Words like sweet, smooth, graceful, enlivened, vibrant, vital, energized, subtle, quiet, attentive, etc. I try to use language that has complementary meanings to lead a student’s experience in many different directions. We all find our own way of doing this and language is one way I’ve found to be very successful.

So, the answer is yes, indirectly. I allude to it all the time. I let it color my teaching presence and style because for me it is at the heart of why I teach.

Why do you teach and how does spirit connect to that vision?

Q: Do you ever say that Pilates will address body, mind, and spirit?

A: Not really, no. Because honestly it feels a little trite or cliche. I talk about Joseph’s philosophy and that speaks for itself. Otherwise, I kind of feel like it ends up sounding like a sales pitch. “Come try our body, mind, spirit system of exercise!” But, again, that’s just not my style. I encourage my teachers to find their own way, using their strengths and experiences, to express this concept. That they incorporate it in some way is important to me, but if they do it in just the same way as I do it can become inauthentic. I only provide options, what has worked and not worked for me and other teachers I’ve known and taught.

What I find most powerful is to let the student find this idea of spirit or inner connection themselves through their own experience. After a few sessions they inevitably say things like “I feel so much calmer and quieter every time I leave the studio.” Or “I notice that not only am I able to find ease in my body more often I feel lighter, less anxious.” Or “I realize I’ve had this belief about what I could do with my body, but now I know it doesn’t have to be true — funny how this plays out in the rest of my life.”

Yes! I say. Then I feel like the conversation has been opened up. I can continue to offer relevant thoughts or insights in regard to “spirit” and that is enough.

It’s actually pretty miraculous and happens with the majorityof my students. It doesn’t take a whole lot on my part to get them to see — to feel — the relationship.

Q: Do some students just never come for anything else besides the benefits of the body?

Yes, of course. It’s the same with yoga. As the methods became popularized they morphed into something that feeds the common demoninator. In our culture that’s the way we look first, the way we feel second. However, the beauty of Pilates and yoga is that we can have both and so much more if we are open to it. And some people are not.

You know as well as I do that half if not more of the people who come to Pilates come because of pain. The other half come because they hear it’s great for core strength and they want to loose the tummy-tire they’ve acquired in the past so many years. All valid reasons. For many students they come for one reason and end up staying because of all the “hidden” benefits. And some students just never come to know those things. Pilates will not be the thing that takes them to that place, ever, and the way I see it is it’s none of my business. I can’t be putt off or feel like I am failing or not providing them a valuable service if they only ever want a tight ass and six-pack abs. They get what they need from me and I am satisfied.

Yet many times you see that the work is making more than just a physical impact. You see it in their demeanor, their attitude, and more. And they never speak a word of it. You see it’s affecting and they can’t talk about it, don’t need or want to talk about it, or they don’t recognize it, but it’s there nonetheless.

In any of these scenarios I am reminded of the first thing my mentor taught me: our primary purpose, our vehicle of choice, the agreement we’ve made with our students by being available is to address the body and so that’s what we do first.

I think you’ll find that the rest follows AND that your attention to how you teach will promote spirit or mind or body. They are very literally and implicitly entangled whether we talk about it with our students or not.

A final thought:

A friend of mine who is a yoga teacher and teacher trainer said to me recently — although about a different topic — that how we address a situation, how we attend to, or create the environment in regard to any given interaction or student is entirely up to us. If we feel self-conscious or fearful of a topic or scenario we charge it with that fear or self-consciousness, meaning we make it open, stilted, awkward, forced, honest or disingenuous no matter what the topic is: weight, illness or spirit.

All we can do is stay softly open, willing to be with whatever arises, listening rather than advising, reflecting back rather than judging or needing it to be better or different. If someone is open to the experience of spirit, invite their curiosity to deepen by revealing your own curiosity. Hold spirit in your attention, make it a clear intention and trust that it will unfold in just the right way for your student.

xo
— c

P.S. It is my utmost desire to hear your stories, comments and feedback about this and all the topics on the Skillful Teaching website. So, please don’t be shy. The best dialogue is that which happens between more than one person otherwise it’s just ranting. Don’t make a ranter out of me 😉

Borrowing, Stealing & Professional Integrity…What’s your take?

The Teaching Craft

Your Wednesday Weekly Dose

Borrowing, Stealing & Professional Integrity…What’s your take?

Giving credit where credit is due. Feeding your curiosity. Learning and staying inspired. Seeking mentorship. Intention and professionalism. Where do you stand when it comes to sharing and borrowing repertoire?

Not too long ago I was reading a blog created by a teaching colleague of mine and came across a topic that sparked a heated discussion. Much like the title of this week’s dose, the blog post: “Is it Stealing? Yes or No?” made me raise my eyebrows.

I was perplexed at first when I began to read only because I have never considered the use of someone else’s adaptation, cue or modification as stealing. I fortunately have matriculated from a learning and teaching atmosphere of generosity and non-combativeness when it comes to the Pilates method.

Reading further into the blog, and then talking to the blog’s owner recently, I began to better understand the situation: When does it feel like someone else is “poaching” or using your knowledge against you or is ill-intended? How proprietary are you with the particular version of Pilates that you teach? When is it a high compliment and when does it feel like disregard?

This week I would like to ask you what you think. What colors your stance on this issue? Do you come from a supportive or unsupportive teaching environment? What are you willing to share or not? When do you need credit or believe giving credit is due?

I find this topic pretty fascinating as I think of myself as being in the profession of disseminating information generously to my students and to my student teachers. And I am not afraid to say that I have no attachment to the work I teach. I honor my mentors and other master teachers in and out of the field of Pilates and credit them for the knowledge they’ve given me. It is how I stay true to my personal ethics and uphold a level of integrity. At home in my studio I often tell my students “this is what Kristen says …” or “I got this variation from ….”

On the other side of the coin, however, lives a person who would be bothered if someone intentionally tried to take credit for something I created. There is a difference I think.

And so, to me, it comes down to professional and personal integrity, ethics, courtesy, intention and open and honest communication.

I am so curious to know what you think about this topic.

Food for thought:

Q: How does it feel if another teacher takes a class or session without introduction and later you find out that they are mimicking your style, repertoire etc? What if they do introduce themselves and disclose their desire to learn from you? What’s the difference for you?

Q: Is Pilates proprietary to you? Do you own and want to control your particular brand of Pilates?

Q: If a fellow teacher asks you for insights, advice or repertoire do you charge them?

Q: Is it ever stealing? When?

Q: As a community how do we expect our novice and student teachers to learn if not through mimicry, informal mentorship, sharing/borrowing from us and other teachers?

Q: Are we teaching the professionalism that coincides with this?

Q: Has the modular education had an impact on how we learn throughout our training and beyond?

Q: Does the environment or teaching community you are surrounded by geographically or philosophically (one of lack or one of abundance) dictate your position on this subject?

There are many directions we could take this, but I’d love your input on whatever floats your boat around this topic. I am preparing another article for Pilates-Pro.com and your feedback would be a wonderful asset. Make your voice heard. Be kind and be thoughtful, and bring your voice to the community.

Share your comments below.

“When you give yourself permission to communicate what matters to you in every situation you will have peace despite rejection or disapproval. Putting a voice to your soul helps you to let go of the negative energy of fear and regret.” ― Shannon L. Alder

Until next time,
Chantill

Notes & Updates

Don’t miss out on the audio version of our latest Teleclass: “How to Make Your Teaching More Powerful: Using stories, themes, and personal experience.”

LISTEN NOW!

CALL FOR SUBMISSIONS – I am collecting stories, insights, tid bits and inspirations about teaching Pilates, yoga or other forms of movement for the upcoming book: “The Art of Skillful Teaching” and for the Skillful Teaching blog.

If there is a topic, situation, challenge or success you’d like to bring to light and share, I’d love to hear it. You can submit in writing or schedule an interview.

Please email me at: chantill@skillfulteaching.com.

The Toughest Thing For Teachers To Do

From Skillful Teaching”s “The Teaching Craft: Your Wednesday Weekly Dose”

Mastery takes a lifetime. Can you teach from where you are at any given moment without needing to be somewhere else, somehow better? Can you teach from where you are no matter where that is?

Last week we had an amazing teleclass with Cori Martinez. And I am thrilled to be ableto share the recording and notes with you today. But that”s not really what I wanted to write about.

Something came up during the call that I”ve heard (and felt) over and over again in teacher trainings, in coaching sessions, and in workshops and classes. It sounds something like this:

“This is all fantastic information, but I just feel too overwhelmed to even consider how I might incorporate it. I”m not ready to add this in…I wouldn”t even know where to start.”

Familiar?

I think I”ve had that thought at nearly half of the trainings I”ve ever attended whether they were Pilates related or not. New information, new ideas, theories, repertoire can all be hard to digest. It sparks in us both the burning desire to be that teacher who can do all of those things with grace and ease and a total panic that we might not ever be that teacher because we are so aflood with information we can”t even see where to begin.

How do we balance these feelings? How do we hold strong to our dream of being the best we can be, achieving spectacular things and take it slowly enough to honor where we are right now, content and confident in the skills we already have?

It”s not easy. And at the same time it”s the easiest thing in the world.

All it takes is staying present.

I say that being present and teaching from where we are right now is one of the hardest things for us to do as teachers. The truth is it”s the harest thing for everyone to do.

If you are reading this right now it”s because there is some part of you that wants to be more than you are today, to improve your skills as a teacher and be able to make a bigger impact. This desire alone often takes us into the future where we are better than we are now, know more than we do now and have all the right skills dialed in so that our teaching and career are perfect.

When we live out “there” where we are “better” we can easily become discouraged, overwhelmed, full of self-doubt, and cut ourselves off from the gifts we have already cultivated, selling ourselves short in the moment in order to strive toward something else.

 

I know this feeling well and I always think of this sentiment:

If I am sitting in a chair on one side of the room and I need to get to the door on the opposite side, I have to first stand up and take one step, then another, then another. That”s just the way it happens. That”s the journey.

When I remember this simple and mundane idea it settles me back into where I am. I can enjoy the chair I am sitting in, its smooth wood, familiar contours, beautiful color a reflection of my hard work and talents.

It”s from that place that I can mindfully move forward with kindness to myself and enough energy to tackle the new stuff without needing to be across the room.

 

As for the actual effort of incorporating new information here are some simple ways to start.

1. Start Small: Breakdown the material into digestible pieces. Start with the stuff that makes sense, that which is based on understanding that you already have.

2. Acknowledge What You Already Do/Know: In some instances it”s helpful to brainstorm the ways in which you might already be using said new technique. Find out how you can comfortably make the connection between what you do now and want to do.

*This can also be helpful in terms of addressing any self-doubt or lack of confidence that might have arisen. Giving yourself acknowledgements for where you are currently helps buoy you as you swim into uncharted territory.

3. Observe, Listen, Study: Before you dive in and try to change your entire approach or add a complex idea to your teaching, take your time to study others who are doing what you hope to do. Watch videos, observe in-person, read more about the idea, philosophy or technique.

This takes patience, which I personally have very little of, so I know it can be tough. Trust me, though, you”ll be so grateful for the time it takes because when you do arrive where you want to go, you”ll be ready to be there. Things get very sketchy when we rush our progress.

4. Safe, Anonymous Practice: Sometimes we need to just practice the technique, or idea. We need to get used to saying the words and trying it on. I always encourage my student teachers to practice teaching to an empty room or record themselves. What low-risk way can you begin to add new skills? Teach other teachers, friends or family and get feedback before you put yourself in a more high-pressure situation.

 

Recent Success:

One of the teachers who was on the call last week was struggling with these feelings with regard to using story. After some discussion about how she might begin — although I knew she wasn”t convinced — she decided to go for it.

Well, about four days later she sent me a note excitedly sharing the fact that “she really can and does use story,” and how helpful it was to use this tool consciously to connect with her student in a deeper and more effective way. She just needed a place to start.

So exciting! I know you can do it too.

 

One last thing:

Just today one of my teachers shared this with me, which I thought was pretty damn perfect for what we are talking about. It already made me feel better about something I am working on.

“Enough is as good as a feast.” P.L. Travers — Novelist, journalist, activist.

Now, here”s your chance to investigate how you can teach from where you are and investigate how to use story in your teaching. Ready, set, go…

Get the “Using Story” Audio Class and Outline.

Until next time,
Chantill