First Impressions – Part 2

Creating an Authentic Experience For Lasting Client Relationships

 

They say you don’t get a second chance to make a first impression. But is that really true? In building relationships, especially in the studio, you have an opportunity to make an evolved impression—one that builds a foundation for long-lasting and loyal relationships. When done thoughtfully this equates to clients who come back over and over again because they trust you and value what you offer.

Recently I was sitting, sharing a bottle of wine, with a group of teachers who had come up for a presenter’s weekend retreat. We had been working on creating authentic presence, clarifying vision and evaluating the kind of impressions we each made. Here was the last exercise of the day: List your three first impressions of each person and three qualities you admired about the person now that you knew them a little better. We got a lot of laughs out of it, for sure, but at times these things were difficult both to hear and to respond to.

For instance, did you know someone thought you were unapproachable because you’re tall or someone else, whom you had met before, thought at first you looked “ethereal” and therefore probably not all that bright? Another person was told they seemed self-absorbed because they rushed into dinner an hour late and talking on the phone. Someone else was “curt” because they articulated their words. We were told we were organized, commanding, overly serious, flipping hilarious, kind, and intelligent. We were flattered and appalled, ending the night with a striking new awareness of how impressions can evolve so much in a very short period of time. As teachers we come face to face with this every day, but rarely look into how or what we are doing to cultivate these impressions. We can, however, make a huge impact on our relationships, reputation and client retention with simple awareness.

 

Four First Impressions

 

Initial Contact:

The moment you make first contact with a student may be in person, on the phone or via email. Be prepared. Once you know what kind of impression you are trying to make—one that reflects your values and your business’s vision and mission—you can begin to cultivate an experience that will bond the client to you and your studio. This is your moment to really shine. Give every potential client everything you’ve got.

What you’ll say: The 30-second “elevator pitch,” — what I call your Authentic Invitation — when you hear people talk about it, sounds like a sleazy salesman’s approach—but really you can’t do without it. There is no better way to clarify your passion and succinctly relay it. Don’t underestimate this tool and don’t neglect it. If you are meeting a potential client—essentially everyone you meet, whether you think so or not—you have this one chance to engage their curiosity and leave them wondering how Pilates could make a difference for them.

What you’ll write: Have an email template that you send to new student inquiries. It should reflect your personality and include a clear call to action. As in a face-to-face conversation, you want to be authentic and represent the best of what your business has to offer.

On the phone: Know what key points you want to share and how to respond to frequently asked questions. Have a format ready that helps you capture necessary information, direct responses, and guide outcomes but is not formulaic or rigid. Every system you have in place should reflect your unique offering.

Bridging the gap: Consider a new student inquiry sheet that helps track the key points of a phone or email conversation. These notes can then be put into the student’s file and given to the teacher who will conduct their session. In this way you are thorough and thoughtful. You are able to weave their experience into a clear outcome. This, in turn, sets you up for a successful second impression—the first time a student enters the studio for a session.

 

The First Session:

To large degree you are in control of the experience your student receives. Create one that expresses who and what you are, the most important qualities of your business and what matters to your clients. Whether that’s community, affordability or the style you teach, make it effortless and memorable.

The best way to discover what’s important to your clients is to ask. Take an informal poll and see what clients think of different aspects of your business, what they were drawn to or what they might change. Use this feedback to hone the environment you create and make an impact. And then ask yourself what an exceptional experience would be for you. Personally, I want them to love the space, to feel welcomed and safe, and to know that from that first moment I am dedicated to their success.

This means I am prepared, I have a plan, and although I want their business, I am entirely clear that I am not the right fit for everyone and I don’t take it personally if they decide not to opt in. But I am also certain I’ve done everything I can and have given them everything I’ve got.

Small things that matter:

  1. Have necessary paperwork waiting for the client when they come in. Or even better, email it to them so they can fill it out in advance and make their first visit smoother.
  2. Create and provide a welcome packet.
  3. If a client has a specific issue, make sure you know about it. If they had an initial conversation with another teacher, make sure you have all the details.
  4. Create a timeline for the session leaving time for Q&A and sign up.
  5. Ask why they are there. Start to uncover the story
  6. Be real and focus on your strengths (not the bottom line).
  7. Be generous and be honest.

 

 

The End of a Package:

Can you ask for what you want? I find that this can be an uncertain moment for most teachers and one that either makes or breaks the whole deal. We’re not sure what’s best. We’re afraid to say that what is best might be expensive. We don’t know where we stand when it comes to how we want our clients to practice. Clarity of purpose is key.

Know from the beginning where you want your clients to go. Know your system for retaining clients for the long run and know how this particular student fits, or not, into that plan.

If your client feels that you have their best interest in mind—which is conveyed by the strong impressions you’ve been giving all along—then they will let you guide them. In fact, they want you to tell them what to do. Be the expert and be honest. They will either say yes or no. It’s that simple. You have to trust yourself if they are going to trust you. There is very little room for self-doubt or hesitation in this moment. Acknowledge you could always be wrong, but this is your assessment and you’re excited to move them toward their goals.

 

Ever After:

One of the most challenging aspects of teaching, for me, is showing up fully for the same client over and over again. But if I don’t, my clients will (and should!) find a teacher who does.

I recently read a sentence from Carol Appel’s Business Savvy workshop that put this particular challenge into stark perspective. “The worst thing you can do is ask a client ‘What would you like to work on today?’” When I read this, I blushed a little with guilt.

I’ve done this. I’d bet many of you have too. And what it means is I am falling asleep at the wheel. I might disguise it as checking in or gauging someone’s needs, but if I do it over and over again I need to reevaluate. When you’re in it for the long haul it can be tough to keep up your stamina. Constantly reassessing client goals and needs never ends, and the finish line is constantly moving out – we hope – to the next session or package.

Each time we teach is an opportunity to anticipate our client’s needs in order to match and exceed their expectations. Because, after all, it really is the last impression that we leave with – over and over again – that keeps them coming back.

Effective First Impressions and Student Encounters – Part 1

Scene:  Pilates studio. New student approaches and enters. Student sees someone near the front desk looking busy and approaches tentatively.

 

New Potential Student’s First Impression:

The used car salesman that I loathe, who I know is going to try to take me for all I’m worth, is standing at the front desk of the Pilates studio I just found on Yelp. They look busy. Maybe they think I am not good enough to do Pilates. I know it’s expensive, but just how expensive? It’s really nice in here. Will they try to pressure me into the most costly package? I’m ready, steeled against the powers and prowess of their persuasive techniques. I know Pilates is probably good for me, but I will not be bullied.  En garde!

 

Teacher/Studio Owner/Front Desk Staff’s First Impression

Here comes someone. Great, I am right in the middle of… (Fill in the blank: this ankle alignment, this email, this phone call, this social marketing fiasco, etc.) Smile. Be welcoming (The owner’s watching. My teachers are watching). They look fit, well dressed. I bet they’ve done Pilates before. This should be easy.

Or

They look confused. They’ve been hanging around outside for the past 10 minutes. I wonder if they even know what Pilates is. I bet they will only want to do classes. People like this always do.

End scene.

 

Does any of this seem familiar? Of course, these scenarios and our coinciding judgments vary endlessly; some are trivial, subtle and benign and some are rooted in prejudice, hurt, fear and defensiveness. Either way, they color our first impressions and more often than not are unconscious and messy. These first moments are crucial to whether or not that student becomes a loyal customer and a dedicated student, or no-shows for their first appointment.

The most crippling part of first impressions is that we often don’t recognize what’s at work. If we observed our underlying motivations and prejudices more clearly we could use them to our advantage and sculpt first impressions with specific intention. It takes the same awareness we bring to our movement practice. We start by noticing and asking the right questions.

  1. Describe yourself in three words.
  2. Ask an acquaintance to describe you in three words.
  3. Ask a good friend to describe you in three words.
  4. What are your greatest strengths? (In general or in regard to teaching.)
  5. What are the most important qualities you want to convey when people first meet you?
  6. What lasting impression do you want to make on your students, on your staff, on your community?

The most harrowing experience I’ve had with first impressions and the folly of assumptions was when a staff member, one who was particularly good at relating to new folks—especially those who were nervous or unsure—made the mistake of assuming that a new client couldn’t afford Pilates. (This is not so uncommon after all.) The potential client was a referral from another long-standing and loyal student, but that wouldn’t matter in the end. Because our staff person repeatedly mentioned that we could work with any budget, and that there were affordable options, the client felt battered and not heard. She tried to tell the staff member that money was not a concern, she wanted to come three times a week and was ready to start that day. After the conversation she was so upset she called me directly and described the incident in detail. After a long discussion offering assurances and insight as to who I was and the integrity of the studio, I felt it was likely she would come in as she said she would.

She never did.

She never even called to say she had changed her mind.

We dress, talk, act, buy, write, read, watch, and do much more to make an impression of some sort or another. As Pilates teachers we adopt a certain lifestyle that carries with it, as all roles do, a certain expectation. In your work, what expectations do you have of yourself? Are these expectations helping you or hindering you from portraying who you really are? Perhaps you want to portray something different. If so, to what end?

  1. What kind of impressions do you make right now?
    (Ask someone you recently met—the best person would be a new client—what his or her first impressions of you and your studio were.)
  2. What kind of impression are you trying to make?
  3. Do you think your strengths come through in your physical appearance? Why or why not?
  4. Do you think your strengths come through in how you talk, listen and teach? Why or why not?
  5. Does your studio, the environment you’ve created, reflect your strengths and values?

 

One of my favorite parts of Malcom Gladwell’s book “Blink” is the story of a car salesman named Bob Golomb, from New Jersey, who sells on average twice as many cars a month than other salesman. How does he do it? He follows three simple rules: ‘Take care of the customer. Take care of the customer. Take care of the customer.” But more to the point of this article, he follows a fourth rule:  Never judge a customer by their appearance.
“He assumes that everyone who walks through the door has the exact same chance of buying a car,” writes Gladwell.  “You cannot pre-judge people in this business. Pre-judging is the kiss of death. You have to give everyone your best shot.”

  1. What are your prejudices and assumptions about people when they inquire into your studio?
  2. What are the most common assumptions and judgments you make about people in or out of the studio?
  3. What inaccurate assumptions do others make about you or your studio?

Although you might feel like keeping up in the market right now is all about launching a social media campaign, if you are truly interested in improving your teaching and generating more revenue, take time to look at how the first impressions you leave are affecting your businesses bottom line. After all, just because you can get potential customers in the door doesn’t mean you will convert them into the long lasting clients that give your work meaning and your business stability. Look to what builds authentic relationships, and an authentic presence from the moment they walk in the door.